Rising from a former apple orchard on a 110 acre property in historic Groton, MA, about 40 miles northwest of Boston, Groton Hill Music Center is a destination for music lovers throughout New England and beyond. The 126,000 sf music center – a sculpture in timber and stone – includes two world-class performance venues — a 1000-seat concert hall with a door that opens for an additional 1300-seat lawn audience, and a 300-seat recital hall with a glass walled stage surrounded by open meadows. Interwoven between the two is a renown community music school offering a student recital hall; an orchestra sized multipurpose rehearsal/event space; 35-studio teaching and ensemble studios; a jazz club with an accompanying interior and exterior dining space; and associated performer, administrative, and facilities support spaces. Infused with the rural beauty of its Nashoba Valley setting, it offers a uniquely uplifting and intimate concert experience of some of the world’s most outstanding performing artists and an inspiring music education experience accessible to aspiring musicians and music lovers of all ages.


Exterior Site (Landscape still under construction)

The architectural expression of the building draws upon New England traditions of interconnected farm buildings clad in an assortment of natural materials, such as stone, wood, and metal, composed to reflect the programmatic uses of the building. The landscape design for the Music Center is likewise inspired by the simple rural character surrounding the town of Groton and designed specifically to be open and compatible with both the existing meadow site and the soft hills that embrace it.


Concert Hall (1000 seats)

The larger performance spaces are uniquely curvaceous in nature employing a sculptural use of timber and stone – a rustic ambiance that harkens to the materials and spirit of its rural setting. Yet they are carefully shaped for the ear to feel acoustic warmth and reverberance, and for the eye to enjoy an accompanying visual lyricism. With flanking windows, clerestories and sky lighting, the hall is also designed to engage the surrounding environment in a manner that enhances the audience experience. Enormous sliding doors at the rear of the hall open onto outdoor lawn seating for another 1500+ guests in the summer months. The resulting blending of performance and natural setting is meant to give the audience an experience like no other.

The architecture worked at every level, from the dramatic sighting to the plethora of perfectly considered detailing. At every scale the building pleased and inspired, to wit: The intersections of curves in the massive timbers and the absence of polygonal geometry led to an organic sense of being in a forest with a distant sky for a canopy.
— Lee Eiseman, The Boston Musical Intelligencer

The Concert Hall boasts all of the features of some of the world’s great halls but with a far more intimate experience between patron and performer due to its modest seating capacity and more centralized full sized orchestra stage. The audience feels as though they are sharing the stage with the orchestra or the band, no matter where they are positioned.

Who’d a thunk 25 years ago, when I started with this organization, that we’d be at such a moment in our history. The experience of rehearsing in the new hall was cathartic. It just feels spectacular. There’s room to play for the musicians. They can hear each other. Much like Symphony Hall, the sound carries out into the audience. For all the thousand seats in there, it’s so intimate. Wherever you are sitting, you feel like you’re really part of what’s going on on stage. I told the players, just let the hall carry the sound.
— Bruce Hangen, conductor, vista philharmonic orchestra
The lofty, modern 1,000-seat venue only magnified the music, as the massive multispace facility (designed by the same architects of Rockport’s Shalin Liu Performance Center) might offer the state’s most awe-inspiring concert hall.
— Paul Robicheau, Arts Fuse

Meadow Hall (300 seats)

Meadow Hall provides an intimate setting for both professional and student performances. The glass walls around the stage place the performance or rehearsal experience directly within the surrounding rural farm fields, helping to celebrate the symbiotic relationship between music and nature. Each performance is then made unique by the ever changing quality of natural light and seasonal ambiance there-offered.

Pianist Jeremy Denk proves the new — and acoustically stunning — Meadow Hall is worth the schlep...Cambridge-based architecture firm Epstein Joslin and Chicago’s Threshold Acoustics may have created the region’s most acoustically alive concert venue with Meadow Hall, a warm and modern room furnished in handsome blond wood.
— A. Z. MADONNA, THE BOSTON GLOBE
Groton Hill’s stunning new venue is a beautifully designed and acoustically brilliant music hall that is certain to become a desired destination for artists touring New England.
— Glenn Rifkin, the arts fuse

Skyview Room

The Skyview Room is the work horse of the Music Center. It is equivalent in footprint and volume to the Concert Hall stage in order to support a full orchestral rehearsal. However, its simplicity in form and its central location supports a broad range of uses, from ensemble rehearsals to public receptions and expanded lobby space. A set of hydraulic risers within the floor can raise up to create a stage for cabaret performances or conference lectures. From within, the large overhead window warms the room with ample northern light, from the outside, the window is seen as a dramatic colorful lantern celebrating the adjoining public entry to the Music Center.

As I show people around the building these days, it is quite evident that the end result of this complex and long-time project is a true masterpiece. The vision and artistry that EJA imagined and put to paper so many years ago and that is now a reality is a landmark for this region and beyond. The design of Groton Hill Music Center captures the history of the orchards, the agrarian nature of the town, the lyrical flow of music, and the warm, welcoming, and close community that our organization strives to be every day.
— Lisa Fiorentino, Executive Director, Groton Hill Music

Concert Hall Lobbies

In Groton, the hills have never been more alive with the sound of music...thanks to a gift from an anonymous donor, a stunning new facility for music students with two premiere concert halls has risen up in this Nashoba Valley town.
— James Sullivan, The Boston Globe, Sunday Arts

Music School within the Orchard Allée

The structural grid of the school and lobby/lounge spaces is imagined as an “orchard”—recalling those previously in proximate areas of the site—with stone and wood trunks branching out to support an overhanging canopy above both interior and exterior gathering spaces.


Orchard Hall


The Orchard Allée Cafe Lounge


Anatomy of a “Music Village”


Idea Diagrams: Structure, Character & Finishes


Innovation: Acoustic Reverberation and Diffusion within Timber Construction


Concept Sketches


Virtual Reality: Selected Spaces

Click to Enter Virtual Reality Tour

click and drag to explore, or try with VR glasses if available



Miscellaneous Construction Images

Publications

PIANIST JEREMY DENK PROVES THE NEW — AND ACOUSTICALLY STUNNING — MEADOW HALL IS WORTH THE SCHLEP, The Boston Globe, A.Z.Madonna, Dec 2023

FEATURE ARTICLE, GROTON HILL MUSIC AND META ORGAN WORKS, The American Organist, Danial Lemieux August 2023

STUDENTS, FACULTY AT GROTON HILL MUSIC CENTER SETTLING INTO NEW HOME, Spectrum News 1, by Kyra Ceryanek, Worcester County, August 10, 2023

IN THE VALLEY OF MUSIC, Lighting & Sound America, pgs. 54-58, Dan Daley, August 2023

LISTENING TO THE STRUCTURE: A NEW MASS TIMBER CONCERT HALL TAKES SHAPE IN MASSACHUSETTS, Structure Magazine, David Odeh, Carl Giegold, August 1, 2023

CLASSICAL MUSIC, FOR YOUR CONSIDERATION, IN OUR OWN BACKYARD, Letters, Boston Globe, April 6, 2023

A VILLAGE OF MUSIC: GROTON HILL MUSIC CENTER ENTERS ITS FULL FIRST SEASON, Worchester Business Journal, Livia Gershon, April 3, 2023

EMBRACE SPRING WITH BOSTON CONSERVATORY ORCHESTRA AT GROTON HILL MUSIC CENTER, Boston Concervatory at Berklee, Sarah Gocher Murphy, March 28, 2023

IN GROTON, THE HILLS HAVE NEVER BEEN MORE ALIVE WITH THE SOUND OF MUSIC, The Boston Globe, James Sullivan, February 9, 2023

MUSIC ACADEMY IN THE FIELD REVEALS MANY SPLENDORS, The Boston Musical Intelligencer, Lee Eiseman, January 23, 2023

MUSIC FEATURE: IT’S OPENING NIGHT— GROTON HILL MUSIC’S 1000-SEAT CONCERT HALL, The Arts Fuse, Glen Rifkin, January 22, 2023

ARTS FEATURE: OPENING NIGHT FOR THE GROTON HILL MUSIC CENTER, The Arts Fuse, Glen Rifkin, October 23, 2022

ALL-NEW GROTON HILLS MUSIC CENTER OFFERS COMMUNITY, EDUCATION, AND PERFORMANCE, Harvard Press, Carlene Phillips, September 16, 2022

LISTEN UP, A new regional music center opens in Groton, Massachusetts, by Nell Porter Brown, Harvard Magazine, September-October 2022

GROTON HILL MUSIC CENTER GETS READY TO OPEN ITS DOORS, The arts fuse, Glenn Rifkin, June 10, 2022

WITH A NEW BUILDING AND NAME, INDIAN HILL CREATES “A GATHERING SPACE CENTERED AROUND MUSIC”, The Boston Globe, James Sullivan, October 22, 2021

SEE THE MASSIVE NEW MUSIC VENUE RISING LESS THAN AN HOUR FROM BOSTON, Boston Business Journal, Grant Welker, October 20 2021

INDIAN HILL MUSIC TRANSITIONS IN STYLE, The Boston Musical Intelligencer, Lee Eiseman, October 4, 2021


Project Data

STATUS: In construction, estimated 2022

SIZE: 125,000 sf

COST: Cost currently unavailable

Project Credits

OWNER: Groton Hill Music

PROJECT MANAGER: ShepCo, Inc.

ARCHITECT: Epstein Joslin Architects, Inc.

Principals-in-Charge: Alan Joslin (Design), Deborah Epstein (Interiors and Finishes), Ray Porfilio (Management and Permitting), Project Manager and Senior Associate: David Foxe, Technical Architects: Arthur Pinkham and Michael Saganich, Project Designers: Robert Picardy, Kuzina Cheng, Emilia Tsolia, Matthew Roy, Greg Hitchock, Chimaobi Izeogu, Beth Fisher, Charlotte Leahy, Gabe Cira, Elliott Olson

ACOUSTIC/AV CONSULTANT: Threshold Acoustics (w/ LKAcoustics Design Studio in concept design)

THEATER CONSULTANT: Theatre Consultants Collaborative

STRUCTURAL ENGINEER: Odeh Engineers, Inc.

STRUCTURAL CONSULTANT: Unalam

MEP CONSULTANT: BR+A Consulting Engineers

FOOD SERVICE CONSULTANT: JGL Foodservice Consultants

LIGHTING CONSULTANT: Ripman Lighting Consultants 

CODE CONSULTANT: AKF Group LLC

LANDSCAPE ARCHITECT: Stephen Stimson Associates

CIVIL ENGINEER: Beals Associates, Inc..

GEOTECHNICAL ENGINEER: McPhail Associates, LLC

TRAFFIC CONSULTANT: Stantec

CONSULTING ARCHITECT: Udelsman Associates

LEGAL CONSULTANT: BBMT

ARTS MANAGEMENT CONSULTANT: Tony Beadle

FEASIBILITY: Fort Point Associates, Inc.

CIVIL ENGINEERING CONSULTANT: Ducharme & Dillis Civil Design Group, Inc.

CONSTRUCTION: Goguen Construction, Inc.

PHOTOGRAPHY: Primary images, copyright Robert Benson Photography; aerial view, Krista Davey; performance images, Jason Pritchard; detail images, Epstein Joslin Architects; aerial view, Eric Vickery with Groton Hill Music